— and it hinges on an unlikely friendship that could only exist within the movies. It’s the most Besson thing that is, was, or ever will be, and it also happens to generally be the best.
is about working-class gay youths coming together in South East London amid a backdrop of boozy, harmful masculinity. This sweet story about two high school boys falling in love with the first time gets extra credit rating for introducing a younger generation to the musical genius of Cass Elliott from The Mamas & The Papas, whose songs dominate the film’s soundtrack. Here are more movies with the best soundtracks.
Considering the myriad of podcasts that encourage us to welcome brutal murderers into our earbuds each week (And just how eager many of us are to do so), it can be hard to imagine a time when serial killers were a truly taboo subject. In many ways, we have “The Silence in the Lambs” to thank for that paradigm change. Jonathan Demme’s film did as much to humanize depraved criminals as any bit of up to date artwork, thanks in large part to some chillingly magnetic performance from Anthony Hopkins.
The film’s neon-lit first part, in which Kaneshiro Takeshi’s handsome pineapple obsessive crosses paths with Brigitte Lin’s blonde-wigged drug-runner, drops us into a romantic underworld in which starry-eyed longing and sociopathic violence brush within centimeters of each other and eliminate themselves from the same tune that’s playing over the jukebox.
It’s now the fashion for straight actors to “go gay” onscreen, but rarely are they as naked (figuratively and otherwise) than Phoenix and Reeves were here. —RL
auteur’s most endearing Jean Reno character, his most discomforting portrayal of the (very) young woman on the verge of a (very) personal transformation, and his most instantly percussive Éric Serra score. It prioritizes cool style over prevalent feeling at every possible juncture — how else to explain Léon’s superhuman capability to fade into the shadows and crannies of your Manhattan apartments where he goes about his business?
It’s no incident that “Porco Rosso” is about at the peak from the interwar period, the film’s hyper-fluid animation and general air of frivolity shadowed by the looming specter of fascism along with a deep sense of future nostalgia for all that would be forfeited to it. But there’s also such a rich vein of enjoyment to it — this can be a movie that feels as breezy and ecstatic as flying a Ghibli plane through a clear summer afternoon (or at least as ecstatic mainly because it makes that appear to be).
I might spoil if I elaborated more than that, but let us just say that there was a plot component shoved in, that porm should have sparkbang been left out. Or at least done differently. Even while it absolutely was small, and was kind of poignant for the event of the rest of the movie, IMO, it cracked that easy, fragile feel and tainted it with a cliché melodrama-plot device. And they didn't even make use from the whole thing and just brushed it away.
As with all of Lynch’s work, the progression in the director’s pet themes and aesthetic obsessions is clear in “Lost Highway.” The film’s discombobulating Möbius strip structure builds within the dimension-hopping time loops of “Twin Peaks: Fire Walk With Me,” while its descent into L.
“After Life” never explains itself — on the contrary, it’s presented with the dull matter-of-factness of another Monday morning in the office. Somewhere, inside the tranquil limbo between this world along with the next, there is a spare but tranquil facility where the dead are interviewed about their lives.
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More than just a breakneck look inside the porn market mainly because it struggled to obtain over the hump of home video, “Boogie Nights” can be a story about a magical valley of misfit toys — action figures, to become specific. All of these horny weirdos have been cast out from their carmela clutch families, all of them are looking for surrogate relatives, and all of them have followed the American Dream ixiporn towards the same ridiculous place.
I haven't obtained the slightest clue how people can price this so high, because this is not good. It really is acceptable, but far from the quality it might manage to have if just one trusts the rating.
Many films and television collection before and after “Fargo” — not least the Forex drama encouraged via the film — have mined laughs from the foibles of Silly criminals and/or middle-class mannerisms. But Marge gives the original “Fargo” a humanity that’s grounded in respect for that plain, strong people from the world, the kind whose constancy holds society together amid the chaos of xnxx live pathological liars, cold-blooded murderers, and squirrely fuck-ups in woodchippers.